How can they know in advance that a man will go to a certain pay phone at a certain time, so that he can see a particular truck he needs to see? How can the actions of security guards be accurately anticipated? Isn't it risky to hinge an entire plan of action on the hope that the police won't stop a car speeding recklessly through a downtown area? A convoluted plan that relies on events completely within the realm of chance, yet goes off without a hitch.
Traditional folktales never were. There are some good guys. There are some bad guys. The good guys win. The good guys are usually scrappy amateurs; the bad guys usually well-organized professionals with typical fascist precision.
The good guys usually demonstrate a Essay revenge count monte cristo for human life and the bonds of friendship; the bad guys betray their citizens and their underlings with equal abandon. They gain their good guy or bad guy status by either following the universal law, or breaking it.
Neither the Greeks nor Trojans are especially good nor villainous.
The Trojans lose some points for kidnapping a woman, but the Greeks lose some points for killing and enslaving an entire city. Neither side is scrappier or more professional than the other. Neither seems to treat civilians better or demonstrate more loyalty.
Nor was it on the mind of the authors of Mahabharata, the Norse sagas, Jack and the Beanstalk, et cetera. The article concludes this is because of nationalism.
Nation-states wanted their soldiers to imagine themselves as fighting on the side of good, against innately-evil cartoon-villain enemies. This was so compelling a vision that it shaped culture from then on: A Global History of Concentration Campsabout the rise of the idea that people on opposite sides of conflicts have different moral qualities, she told me: In short, we are rehearsing the idea that moral qualities belong to categories of people rather than individuals.
What are we to think of this? Robin Hood started stealing from the rich to give to the poor as early as the edition of his tale. The Mayan Hero Twins? Are there any differences between the way ancients and moderns looked at this?
Maybe modern stories seem more likely to have two clear sides eg made up of multiple different people separated by moral character.
Villains as opposed to monsters, or beings that are evil by their very nature seem more modern. So does the idea of heroes as necessarily scrappy, and villains as necessarily well-organized. And just eyeballing it, modern stories seem to use this plot a lot more, and to have less deviation from the formula.
The past stories seem much more conducive to blind nationalism than our own. The amorality of the warriors in the Iliad manifested as total loyalty: Hector fought for Troy not because Troy was in the right, but because he was a Trojan.
Achilles fought for Greece not because he believed in the Greek cause, but because that was his side and he was sticking to it. What more could a nationalist want? In contrast, the whole point of modern good-vs-evil is that you should choose sides based on principle rather than loyalty.
The article gets this exactly right in pointing out the literary motif of virtuous betrayal. We are expected to celebrate Darth Vader or Severus Snape virtuously betraying their dark overlords to help the good guys.
In Avatar, the main character decides his entire species is wrong and joins weird aliens to try to kill them, and this is good. Compare to ancient myths, where Hector defecting to Greece because the abduction of Helen was morally wrong is just totally unthinkable.
This is a super-anti-nationalist way of thinking.
I suppose nationalists could make the very dangerous bargain of telling their soldiers to always fight for the good guys, then get really good propaganda to make sure they look like the good guys.Essay about Eyes of Revenge: The Count of Monte Cristo His daughter that he claimed is known as Madame Petel (Oxenhander , “Dumas, Alexandre”).
Dumas was a man who wanted to be involved in any way possible. Browse our free collection of reading passages in all literary and nonfiction genres for grades A summary of Themes in Alexandre Dumas's The Count of Monte Cristo.
Learn exactly what happened in this chapter, scene, or section of The Count of Monte Cristo and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. - The Count of Monte Cristo: Revenge The Story of Edmond Dantès, the Sailor, who Becomes the Rich & Powerful Count of Monte Cristo and Takes Revenge on all his Enemies.
Chesky Hoffman June 17, Dr. Goodale In this essay I will show how Edmond Dantes punishes his four enemies with relation to their specific ambitions.
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